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Top Box Office. Jester McGree. What's the Tomatometer? Follow Us. Home Home. Critics Consensus: Respected director Chen Kaige's first English-language film is a spectacularly misguided erotic thriller, with ludicrous plot twists and cringe-worthy dialogue.

Directed By: Kaige Chen. Adjusted Score: 1. Critics Consensus: Despite its lush tropical scenery and attractive leads, Return to the Blue Lagoon is as ridiculous as its predecessor, and lacks the prurience and unintentional laughs that might make it a guilty pleasure.

Directed By: William A. Critics Consensus: Bolero combines a ludicrous storyline and wildly mismatched cast in its desperate attempts to titillate, but only succeeds in arousing boredom.

Directed By: John Derek. Adjusted Score: Critics Consensus: Unable to match the suspense and titilation of its predecessor, Basic Instinct 2 boasts a plot so ludicrous and predictable it borders on "so-bad-it's-good.

Synopsis: Novelist Catherine Tramell is once again in trouble with the law, and Scotland Yard appoints psychiatrist Dr. Directed By: Michael Caton-Jones.

Adjusted Score: 8. Critics Consensus: Body Orchid is a tease-too-long, with overblown editing with an already slipping Mickey Rourke and unexperienced actress Carrie Otis.

Directed By: Zalman King. Critics Consensus: Body of Evidence's sex scenes may be kinky, but the ludicrous concept is further undone by the ridiculous dialogue.

Directed By: Uli Edel. Critics Consensus: A piece of lovely dreck, The Blue Lagoon is a naughty fantasy that's also too chaste to be truly entertaining.

Directed By: Randal Kleiser. Critics Consensus: Sliver is an absurd erotic thriller with technobabble and posits prime Sharon Stone as a professional book nerd.

Directed By: Phillip Noyce. Critics Consensus: The Boy Next Door may get a few howls out of fans of stalker thrillers, but for most viewers, it won't even rise to "so bad it's good" status.

Directed By: Rob Cohen. Critics Consensus: No consensus yet. Directed By: Michael Cristofer. Critics Consensus: Laughably melodramatic, Original Sin features bad acting, bad dialogue, and bad plotting.

Directed By: James Foley. Critics Consensus: Lacking enough chemistry, heat, or narrative friction to satisfy, the limp Fifty Shades Darker wants to be kinky but only serves as its own form of punishment.

Directed By: Jon Cassar. Critics Consensus: Pretentious, overly perverse and dull. Critics Consensus: Populated with characters as unpleasant as its sleazy storyline, The Loft is uninhabitable for all but the least demanding erotic thriller fans.

Directed By: Erik Van Looy. Critics Consensus: An ostensible erotic thriller that's largely neither erotic nor thrilling, Jade marks one of several unfortunate low points for aggressively sexual mid-'90s cinema.

Directed By: William Friedkin. Critics Consensus: Never Talk to Strangers -- and never make the mistake of believing this silly stalker mystery is the best available viewing option.

Directed By: Peter Hall. Critics Consensus: Audiences yearning for a modern update on the erotic thriller formula will be sorely disappointed by this turgid incarnation, hobbled by stale plotting and a curious lack of sensuality.

Directed By: Elizabeth Allen. Critics Consensus: The inevitable Fatal Attraction comparisons aside, Obsessed is a generic, toothless thriller both instantly predictable and instantly forgettable.

Directed By: Steve Shill. Critics Consensus: Unseemly, unsettling, and unremittingly bleak, Downloading Nancy is slickly made but mostly unpleasant.

Directed By: Johan Renck. Critics Consensus: Despite occasional detours into surprisingly dark territory, Spread overall is an ineffectual celebration of vacuous Los Angeles high life rather than a deconstruction of it.

Directed By: David Mackenzie. Critics Consensus: Bruce willie shot aside, the only other things popping out in Color of Night are some ridiculous plot contortions and majorly camp moments.

Directed By: Richard Rush. Critics Consensus: Fitfully amusing until 3-D Sex and Zen takes a casual, nearly positive stance on rape and sexual torture.

Directed By: Christopher Sun. Directed By: April Mullen. Directed By: Peter Medak. Critics Consensus: Oppressively misanthropic and ineptly made, The Canyons serves as a sour footnote in Paul Schrader's career -- but it does feature some decent late-period work from Lindsay Lohan.

Directed By: Paul Schrader. Critics Consensus: Vile, contemptible, garish, and misogynistic -- and that might just be exactly Showgirls' point.

Directed By: Paul Verhoeven. Directed By: Michael Radford. Directed By: Malgorzata Szumowska. Critics Consensus: Endlessly perverse and indulgent, Caligula throws in hardcore sex every time the plot threatens to get interesting.

Directed By: Tinto Brass. Critics Consensus: The unerotic sex scenes quickly become tedious to watch, and the lovers lack the personality necessary to make viewers care about them.

Directed By: Michael Winterbottom. Critics Consensus: Ponderous, pretentious, and -- considering the subject matter -- dull.

Directed By: Catherine Breillat. Directed By: Alan Shapiro. Critics Consensus: While creatively better endowed than its print counterpart, Fifty Shades of Grey is a less than satisfying experience on the screen.

Directed By: Sam Taylor-Johnson. Critics Consensus: Unforgettable's talented cast makes this domestic thriller consistently watchable, even if its failure to fully embrace its premise's campy possibilities prevents it from living up to its title.

Directed By: Denise Di Novi. Critics Consensus: Sex and Death aspires to be a clever sex comedy, but has little life behind the sex or the death.

Directed By: Daniel Waters. Critics Consensus: Threesome's titillating title belies a dreadfully dull drama whose attractive stars are handily outmatched by a shallow script.

Directed By: Andrew Fleming. Critics Consensus: Neve Campbell bares all in this seemingly misogynistic trifle. Directed By: James Toback. Critics Consensus: Boarding Gate has little substance beneath its faux-thriller surface, and marks a step down from director Olivier Assayas' usual work.

Directed By: Olivier Assayas. Directed By: Jean-Jacques Annaud. Directed By: Jane Campion. Critics Consensus: For better as well as worse, Passion is vintage De Palma sexploitation -- although with a storyline sillier than most, it fails to generate as much heat as his steamiest work.

Directed By: Brian DePalma. Critics Consensus: Naomi Watts and Robin Wright give it their all, but they can't quite make Adore's trashy, absurd plot believable.

Directed By: Anne Fontaine. Critics Consensus: Though Wong's short lives up to the promise of the title, Antonioni's is a serious disappointment.

Young People Fucking Y. Directed By: Martin Gero. Critics Consensus: For all its tease, the movie doesn't have more to say than money can't buy you love.

Directed By: Wayne Wang. Critics Consensus: Lurid but acted with gusto, Indecent Proposal has difficulty keeping it up beyond its initial titillating premise.

Directed By: Adrian Lyne. Directed By: Joe Swanberg. Critics Consensus: An unpleasant thriller that lacks the self-awareness to dilute its sordid undertones, Poison Ivy is liable to give audiences a rash.

Critics Consensus: This catastrophic adaptation of Patrick McGrath's novel gets sillier and more implausible as it goes along. Critics Consensus: Knock Knock brings a lot of talent to bear on its satirical approach to torture horror, but not effectively enough to overcome its repetitive story or misguidedly campy tone.

Directed By: Eli Roth. Critics Consensus: Kama Sutra refreshingly approaches sensuality from a female perspective, but audiences will be turned off by this romance's silly plotting.

Directed By: Mira Nair. Critics Consensus: Although it benefits from a strong cast, In Secret's stars can't totally compensate for the movie's sodden pacing and overly familiar story.

Directed By: Charlie Stratton. Critics Consensus: The belabored noir plotting feels unbelievable, thus removing any sense of suspense. Directed By: Atom Egoyan.

Critics Consensus: Species shows flashes of the potential to blend exploitation and sci-fi horror in ingenious ways, but is ultimately mainly interested in flashing star Natasha Henstridge's skin.

Directed By: Roger Donaldson. Critics Consensus: This romance is more soapy than historically compelling. Directed By: Diane Kurys.

Critics Consensus: Lurid without enough evident deeper meaning to justify its prurient impulses, Bad Guy runs the gamut from confusing to simply off-putting.

Directed By: Kim Ki-duk. Critics Consensus: Death in Love has the depth of its convictions, but not even the game efforts of a talented cast are enough to overcome this drama's stilted story and unlikable characters.

Directed By: Boaz Yakin. Critics Consensus: More dull than hypnotic, The Brown Bunny is a pretentious and self-indulgent bore.

Directed By: Vincent Gallo. Critics Consensus: An unlikable protagonist, messy editing, and gratuitous nudity might make audiences ask for their cash back.

Directed By: Tom Tykwer. Directed By: Anthony Byrne. Critics Consensus: Strong performances and an inclusive approach to sexual awakening aren't enough to make Summer Storm a truly memorable coming-of-age story.

Directed By: Mike Figgis. Directed By: Dusan Makavejev. Critics Consensus: Sleeping Beauty's provocative premise and luminous art design is hampered by a clinical, remote presentation, delivering boredom and shock in equal measure.

Directed By: Julia Leigh. Critics Consensus: It's a pleasure to see Hollywood produce a romance this refreshingly adult, but Love and Other Drugs struggles to find a balance between its disparate plot elements.

Directed By: Edward Zwick. Critics Consensus: Though it tries to be provocative, Battle in Heaven is lethargic and mind-numbing. Directed By: Carlos Reygadas.

Critics Consensus: Explicit and shocking, but there is no substance or statement on human behavior underneath the taboo-breaking. Directed By: Jean-Claude Brisseau.

Critics Consensus: An erotic thriller dulled by a messy narrative. Directed By: Claire Denis. Critics Consensus: The thriller Femme Fatale is overheated, nonsensical, and silly.

Critics Consensus: Cruising glides along confidently thanks to filmmaking craft and Al Pacino's committed performance, but this hot-button thriller struggles to engage its subject matter sensitively or justify its brutality.

Critics Consensus: Romance is a slim look into a woman's sexual psyche, with sex scenes that slightly excite while exploring human emotions. Critics Consensus: Diane Lane shines in the role, but the movie adds nothing new to the genre and the resolution is unsatisfying.

Critics Consensus: Pretentious and trashy.

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Top Box Office. Jester McGree. What's the Tomatometer? Follow Us. Home Home. Critics Consensus: Respected director Chen Kaige's first English-language film is a spectacularly misguided erotic thriller, with ludicrous plot twists and cringe-worthy dialogue.

Directed By: Kaige Chen. Adjusted Score: 1. Critics Consensus: Despite its lush tropical scenery and attractive leads, Return to the Blue Lagoon is as ridiculous as its predecessor, and lacks the prurience and unintentional laughs that might make it a guilty pleasure.

Directed By: William A. Critics Consensus: Bolero combines a ludicrous storyline and wildly mismatched cast in its desperate attempts to titillate, but only succeeds in arousing boredom.

Directed By: John Derek. Adjusted Score: Critics Consensus: Unable to match the suspense and titilation of its predecessor, Basic Instinct 2 boasts a plot so ludicrous and predictable it borders on "so-bad-it's-good.

Synopsis: Novelist Catherine Tramell is once again in trouble with the law, and Scotland Yard appoints psychiatrist Dr. Directed By: Michael Caton-Jones.

Adjusted Score: 8. Critics Consensus: Body Orchid is a tease-too-long, with overblown editing with an already slipping Mickey Rourke and unexperienced actress Carrie Otis.

Directed By: Zalman King. Critics Consensus: Body of Evidence's sex scenes may be kinky, but the ludicrous concept is further undone by the ridiculous dialogue.

Directed By: Uli Edel. Critics Consensus: A piece of lovely dreck, The Blue Lagoon is a naughty fantasy that's also too chaste to be truly entertaining.

Directed By: Randal Kleiser. Critics Consensus: Sliver is an absurd erotic thriller with technobabble and posits prime Sharon Stone as a professional book nerd.

Directed By: Phillip Noyce. Critics Consensus: The Boy Next Door may get a few howls out of fans of stalker thrillers, but for most viewers, it won't even rise to "so bad it's good" status.

Directed By: Rob Cohen. Critics Consensus: No consensus yet. Directed By: Michael Cristofer. Critics Consensus: Laughably melodramatic, Original Sin features bad acting, bad dialogue, and bad plotting.

Directed By: James Foley. Critics Consensus: Lacking enough chemistry, heat, or narrative friction to satisfy, the limp Fifty Shades Darker wants to be kinky but only serves as its own form of punishment.

Directed By: Jon Cassar. Critics Consensus: Pretentious, overly perverse and dull. Critics Consensus: Populated with characters as unpleasant as its sleazy storyline, The Loft is uninhabitable for all but the least demanding erotic thriller fans.

Directed By: Erik Van Looy. Critics Consensus: An ostensible erotic thriller that's largely neither erotic nor thrilling, Jade marks one of several unfortunate low points for aggressively sexual mid-'90s cinema.

Directed By: William Friedkin. Critics Consensus: Never Talk to Strangers -- and never make the mistake of believing this silly stalker mystery is the best available viewing option.

Directed By: Peter Hall. Critics Consensus: Audiences yearning for a modern update on the erotic thriller formula will be sorely disappointed by this turgid incarnation, hobbled by stale plotting and a curious lack of sensuality.

Directed By: Elizabeth Allen. Critics Consensus: The inevitable Fatal Attraction comparisons aside, Obsessed is a generic, toothless thriller both instantly predictable and instantly forgettable.

Directed By: Steve Shill. Critics Consensus: Unseemly, unsettling, and unremittingly bleak, Downloading Nancy is slickly made but mostly unpleasant.

Directed By: Johan Renck. Critics Consensus: Despite occasional detours into surprisingly dark territory, Spread overall is an ineffectual celebration of vacuous Los Angeles high life rather than a deconstruction of it.

Directed By: David Mackenzie. Critics Consensus: Bruce willie shot aside, the only other things popping out in Color of Night are some ridiculous plot contortions and majorly camp moments.

Directed By: Richard Rush. Critics Consensus: Fitfully amusing until 3-D Sex and Zen takes a casual, nearly positive stance on rape and sexual torture.

Directed By: Christopher Sun. Directed By: April Mullen. Directed By: Peter Medak. Critics Consensus: Oppressively misanthropic and ineptly made, The Canyons serves as a sour footnote in Paul Schrader's career -- but it does feature some decent late-period work from Lindsay Lohan.

Directed By: Paul Schrader. Critics Consensus: Vile, contemptible, garish, and misogynistic -- and that might just be exactly Showgirls' point.

Directed By: Paul Verhoeven. Directed By: Michael Radford. Directed By: Malgorzata Szumowska. Critics Consensus: Endlessly perverse and indulgent, Caligula throws in hardcore sex every time the plot threatens to get interesting.

Directed By: Tinto Brass. Critics Consensus: The unerotic sex scenes quickly become tedious to watch, and the lovers lack the personality necessary to make viewers care about them.

Directed By: Michael Winterbottom. Critics Consensus: Ponderous, pretentious, and -- considering the subject matter -- dull.

Directed By: Catherine Breillat. Directed By: Alan Shapiro. Critics Consensus: While creatively better endowed than its print counterpart, Fifty Shades of Grey is a less than satisfying experience on the screen.

Directed By: Sam Taylor-Johnson. Critics Consensus: Unforgettable's talented cast makes this domestic thriller consistently watchable, even if its failure to fully embrace its premise's campy possibilities prevents it from living up to its title.

Directed By: Denise Di Novi. Critics Consensus: Sex and Death aspires to be a clever sex comedy, but has little life behind the sex or the death.

Directed By: Daniel Waters. Critics Consensus: Threesome's titillating title belies a dreadfully dull drama whose attractive stars are handily outmatched by a shallow script.

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